Blame it on My ADD, Baby

this turned more into a Xander centric piece with Xander/Anya undertones, but I think there’s still a fair amount of Spuffy discussed. As for Molly, she seems to change her tune pretty quickly but she is, after all, fourteen. And if I remember correctly, Fourteen-year-old girls are suckers for romance ;).

Set during Bring on the Night.


Sunnydale, 2002
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 I actually wrote something! Two somethings! (Numfar! Do the dance of Shock!)
( Two weeks since Grave, and life on Revello is this whole big awkward thing. )

 In which Jonathan and Andrew become creepy basement voyeurs.
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AN: I know it’s been a long while since I posted and I’m sorry. Honestly, I just needed a bit of a break before jumping into the angst that is season 6. Also, RL is shaping up to be somewhat hectic for then next month or so, so I apologize in advance for any gaps between chapters.

Chapter notes: Takes place in Flooded, a few hours before the final scene. Remember how the last few chapters have been building a slightly softer version of the Spike/Scoobies relationship? Yeah. This chapter pretty much blows that all to hell. Enjoy.


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AN: I am so sorry this took me so long. I’m sure you don’t want to hear my excuses, but I want to explain myself a bit. I’ve been working on this chapter for two weeks, and I’ve probably rewritten it at least four times. I suffered from horrendous writer’s block. And it wasn’t the kind where I didn’t know what to write. I knew exactly what I wanted to happen, I knew what characters I was using, and I knew what I was trying to portray. But I couldn’t get my words to cooperate. The dialogue was wooden and slightly contrived, the narration read like it was written by a nine year old. The whole thing was a mess. But I did my best to work through it and, although I’m not 100% satisfied with it, I finally feel like this chapter has reached a point where it meets my own personal standards. Hopefully you guys will agree.

I want to thank everyone who’s reviewed. I honestly don’t think I would have worked past the block without you. I had to go back and re-read the reviews on this story to remind myself that, yes, there are people who read and enjoy what I’ve written. So this chapter dedicated to you. Thank you so much for all the support.

Chapter Note: Takes place early in the summer between seasons five and six. The characters are Spike and the Buffybot. I realize that the Bot is kind of a strange choice of character, but I really wanted to show grieving Spike and she serves as something of a catalyst.

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Set right after Giles and Xander take Spike back to his crypt in Intervention.



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Takes place directly after the Angel episode Redefinition and before Drusilla shows up in Crush. This one is a little more introspective than other chapters, mostly because getting inside Darla’s head was entirely too much fun. I also used this chapter to explain how Dru went from leaving Spike for being in love with Buffy in Fool for Love, to trying to get him back in Crush. Because it bugged me.

 If you remember season 2 of Angel really well, feel free to skip this note and get to the good stuff. If you don’t, I’ll provide a bit of context. I don’t know about you guys, but I remember Buffy better than Angel, and I had to do some digging to jog my memory. Darla comes back as human but she’s dying. Angel tries to save her but he can’t, and just when they’ve reached a nice place and are having a pretty sweet moment, Drusilla comes in and bites her. The two of them bring havoc to all, and massacre a basement of evil lawyers. Then they start hiring an army of demons, but Angel ends up tricking them and setting them on fire. Also, Darla’s trying very hard to squash all her fuzzy feelings for Angel.

Darla/Drusilla
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Takes place during Triangle, right after the scene at The Bronze, and right before Buffy kicks Olaf’s ass.

Buffy/Tara

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Set after Buffy vs. Dracula. Spike goes after the eleven pounds.



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 Set somewhere between Hush and The I in Team. 

Brief Author's Note: When I write, I don't take into account anything that happens off the show. So while I may know that the episode Something Blue was not written with any sort of deeper meaning, I don't really care. My view on anything that happens onscreen is only influenced by the characters, what they say, and what they do. There's also a pretty fair chance that I'm being absurdly neurotic, in which case feel free to ignore me. 

Willow/Tara

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